Thursday, 23 December 2010
Sunday, 19 December 2010
Monday, 6 December 2010
Monday, 29 November 2010
Levi's Craft Workers Christmas, Regent Street Installation
Feeling Christmassy yet? Here's my Levi's Xmas Window/Installation. As anyone whoever looks at this blog knows I'm not much of a writer, luckily Dazed digital have done a little article about it. Thank Goodness! -
GARY CARD AT LEVI'S REGENT STREET STORE
Denim elves and polka dots dominate the jean giant's central London shop window, as crafted by interior design maverick Gary Card.
“I wanted the place to evoke the feeling of childhood”, says set designer Gary Card of the giant denim polka dot maze that he has just installed in Levi’s Regent Street store’s window. The Christmas labyrinth that’s complete with intricate shelves, a small house and a set of denim elves is Card’s yet another venture into large-scale design, following a successful collaboration with London’s new retail concept LN-CC, and a series of installations in Loewe’s windows. Dazed sat him down for a little chat.
Dazed Digital: What was the concept behind the installation?
Gary Card: When we first discussed the collaboration, Levi’s said they wanted to create a Christmas display, but one that wouldn’t necessarily be shouting Christmas. That’s when the polka dot fabric first came into picture. It’s one of Levi’s signature prints this year and I love that it’s so reminiscent of snow! So we wanted to create something that would evoke childhood memories of searching and discovering, without having obvious symbols such as Santa or the Christmas tree. At the same time, we introduced elements such as the polka dots and denim elves, which are very reminiscent of Christmas.
DD: What kind of feelings were you hoping to provoke with the maze?
Gary Card: The idea of curiosity. A little bit of discovery. It should be charming, because charm is the main thing about Christmas, really. It also had to be cool. I love the idea of having a playground, because, again, it brings back those childhood memories. The treatment of colours was very important too. It would have been really easy to bring in colours such as the signature Levi’s red, but I wanted to keep it cold inside.
DD: Can you tell us a bit about the craftsmanship behind the installation?
Gary Card: I was very excited about working with the Levi's denim, I wanted to make a denim environment, I love material-led projects, ideas that are dictated and driven by one defining factor, I really like restriction in a brief, in a way it's easier to work with, worst thing in for me is a client saying, 'do whatever you like'. Denim is very hands-on and tactile, but also tough and resilient, perfect for stretching over the shapes, very much like making a canvas. I loved the colour too, it feels cold, totally fits the festive vibe.
DD: What was the most difficult aspect of planning and carrying out?
Gary Card: The most difficult part was managing the gallery space, how do make a set piece that the viewer can explore and hang out in without blocking the main walk ways into the store, that was very tricky. it's great for me if you get lost in my 'denim fun house' but not so great for Levi's if you get so lost you can't find the actual shop, so that was a very big consideration.
DD: Tell us something funny about the Christmas denim elves....
Gary Card: The funniest thing is coming up, we are going to be in the space making them during next week, doing a kind of denim elf making master class! 'elves making elves' I'm calling it - it's going to be hilarious...
DD: How would you describe the Levi's Christmas window?
Gary Card: It started life as a kind of 'bauhaus' concept, I was interested the relationship between very simple shapes and negative space, however it very quickly turned into a set for a mental kids TV show! But that was cool, I totally embraced that, it's supposed to be fun, at one point I really wanted to call it Polka Dot Playground, I think that's the essence of the project!
Special thanks to everyone who helped make this possible, Ollie Tiong for the all nighters and technical support, Russell Beck at Russell Beck Studios (http://www.russellbeckstudio.co.uk/) and his wonderful team for making it all happen, Jason Kyriacou at Levi's for being so amazing and flexible, my wonderful 'elves making elves' team, Penny Mill, Victoria Thomas Wood, Fan Hong, Harry Riley and Luke Abbey. See us in the Regent Street Store making denim elves in person Thuursday 2nd December!
GARY CARD AT LEVI'S REGENT STREET STORE
Denim elves and polka dots dominate the jean giant's central London shop window, as crafted by interior design maverick Gary Card.
“I wanted the place to evoke the feeling of childhood”, says set designer Gary Card of the giant denim polka dot maze that he has just installed in Levi’s Regent Street store’s window. The Christmas labyrinth that’s complete with intricate shelves, a small house and a set of denim elves is Card’s yet another venture into large-scale design, following a successful collaboration with London’s new retail concept LN-CC, and a series of installations in Loewe’s windows. Dazed sat him down for a little chat.
Dazed Digital: What was the concept behind the installation?
Gary Card: When we first discussed the collaboration, Levi’s said they wanted to create a Christmas display, but one that wouldn’t necessarily be shouting Christmas. That’s when the polka dot fabric first came into picture. It’s one of Levi’s signature prints this year and I love that it’s so reminiscent of snow! So we wanted to create something that would evoke childhood memories of searching and discovering, without having obvious symbols such as Santa or the Christmas tree. At the same time, we introduced elements such as the polka dots and denim elves, which are very reminiscent of Christmas.
DD: What kind of feelings were you hoping to provoke with the maze?
Gary Card: The idea of curiosity. A little bit of discovery. It should be charming, because charm is the main thing about Christmas, really. It also had to be cool. I love the idea of having a playground, because, again, it brings back those childhood memories. The treatment of colours was very important too. It would have been really easy to bring in colours such as the signature Levi’s red, but I wanted to keep it cold inside.
DD: Can you tell us a bit about the craftsmanship behind the installation?
Gary Card: I was very excited about working with the Levi's denim, I wanted to make a denim environment, I love material-led projects, ideas that are dictated and driven by one defining factor, I really like restriction in a brief, in a way it's easier to work with, worst thing in for me is a client saying, 'do whatever you like'. Denim is very hands-on and tactile, but also tough and resilient, perfect for stretching over the shapes, very much like making a canvas. I loved the colour too, it feels cold, totally fits the festive vibe.
DD: What was the most difficult aspect of planning and carrying out?
Gary Card: The most difficult part was managing the gallery space, how do make a set piece that the viewer can explore and hang out in without blocking the main walk ways into the store, that was very tricky. it's great for me if you get lost in my 'denim fun house' but not so great for Levi's if you get so lost you can't find the actual shop, so that was a very big consideration.
DD: Tell us something funny about the Christmas denim elves....
Gary Card: The funniest thing is coming up, we are going to be in the space making them during next week, doing a kind of denim elf making master class! 'elves making elves' I'm calling it - it's going to be hilarious...
DD: How would you describe the Levi's Christmas window?
Gary Card: It started life as a kind of 'bauhaus' concept, I was interested the relationship between very simple shapes and negative space, however it very quickly turned into a set for a mental kids TV show! But that was cool, I totally embraced that, it's supposed to be fun, at one point I really wanted to call it Polka Dot Playground, I think that's the essence of the project!
Special thanks to everyone who helped make this possible, Ollie Tiong for the all nighters and technical support, Russell Beck at Russell Beck Studios (http://www.russellbeckstudio.co.uk/) and his wonderful team for making it all happen, Jason Kyriacou at Levi's for being so amazing and flexible, my wonderful 'elves making elves' team, Penny Mill, Victoria Thomas Wood, Fan Hong, Harry Riley and Luke Abbey. See us in the Regent Street Store making denim elves in person Thuursday 2nd December!
Sunday, 21 November 2010
LN-CC Store finally open!!!!
Wow! it's finally here, the LN-CC London Store is now open for business! i've been working on this project now for about 3 months with my magnificent father, the work horse, Christopher Card. Together we made 3 showrooms, A library, and 2 conjoining corridors that link the space. There is so much I want to say about this project I don't know where to begin. So here are a couple of links, interviews and the first batch of pictures. (expect to see a lot more from this in the next couple of months.)
So..... to begin, some PR blurb!
A new London based retail concept, LN-CC is a project initiated by John Skelton (ex oki-ni and Harrods) and Daniel Mitchell with store design by celebrated set designer Gary Card.
Product includes menswear, womenswear- both new and archive collections based around a concept of unisex styling, books curated by collector Conor Donlon and a specially selected music offer.
The store consists of three concept rooms, a book and record store, a music room for private events, a working studio and is linked together by an indoor forest and futuristic skeletal tunnel constructed from raw wood and orange Perspex. Each room has it's own theme that as a whole embodies the LN-CC vision. For phase 2 in 2011 we will open a new, larger room to be used as a gallery space for exhibitions and screenings (details tbc).
This project is more than a store, it's an evolving platform of curated ideas encompassing clothing, music and art in both a physical and digital environment.
http://www.i-donline.com/i-spy/ln-cc-future-retail
http://dianepernet.typepad.com/diane/2010/11/gary-card-at-ln-cc-late-night-chameleon-cafe-18-shacklewell-lane-london-e8-2ez.html
http://www.anothermag.com/current/view/630/Gary_Card_for_LN-CC
http://tmagazine.blogs.nytimes.com/2010/10/27/space-craft/?scp=1&sq=ln-cc&st=Search
Thursday, 4 November 2010
Tuesday, 2 November 2010
Friday, 29 October 2010
Tuesday, 26 October 2010
Nowness- 'All Wrapped up' with Jenny Van Sommers.
Still life photographer extraordinaire Jenny van Sommers (whose previous work includes campaigns for Prada, Jil Sander, Nike and Audi) joins forces with London set designer, illustrator and all-out creative wunderkind Gary Card (a regular contributor to T Magazine, Dazed & Confused and Vogue Hommes Japan) for today’s story—a tightly wound tribute to this fall’s fragrances. Playing with the alluring shapes and angles of each scent’s bottle, the duo transforms new releases such as Bang by Marc Jacobs, Prada’s Infusion d’Iris, Maison Martin Margiela’s Untitled, and the latest edition of Gaultier’s Classique Pour Femme into a tantalizing, mysterious series of packages, wrapped by Card with characteristic flair in a variety of materials from foil to latex.
Photos by Jenny van Sommers
Set Design by Gary Card
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